I visited the Biennale in a very wet November when the so called ‘spring’ tides meant that the streets were flooded twice a day as the canals overflowed their banks. Wellington boots or bright blue pull-on galoshes were de rigueur. The ‘must see’ show outside the Biennale was Damien Hirst’s ‘Treasures of the Unbelievable’ at […]
I was fortunate to be accepted to run my own workshops in Plymouth for the first two days of Tate Exchange 31st Jan + 1st Feb 2018 and then travel to Tate Modern, London on 2nd Feb to help run a printmaking workshop as part of the Print Club from Plymouth College of Art. It […]
I have been drawing at the very informative National Marine Aquarium in Plymouth, and also helping children with art projects as a volunteer. I am intrigued by what the fish can see through the glass: who is watching who, and what are they thinking? This is Friday – a long-standing and very clever green-backed turtle: […]
The world is becoming buried under plastic. When I travelled through SE Asia the roads were lined with it, children playing in it, and animals trying to eat it. It is polluting our land, our oceans and even our drinking supplies. It is killing wildlife and poisoning our world. We have been seduced by its […]
So much of my work is inspired by the sea: its power, beauty, waves and tides, erosion, time and change. The fluidity of wet porcelain clay in particular lends itself to creating shell-like structures and wave forms. Larger stoneware forms were created with the help of moulds.
This inspirational one day symposium was organised by Marie Taylor and Beth Heaney at Ocean Studios in Royal William Yard in Plymouth on 13 April 2018. Papers, posters, workshops and live performances explored relationships between the body and drawing, investigating issues around exhibiting performative works, audience and boundaries. Janette Kerr, action painter of powerful seascapes and […]
Kate Marshall ran an inspirational and informative course on using natural pigments at Coombe Farm Studios, Dittisham, Devon, 18-23 Feb 2018. We gathered the ingredients and experimented with using Devon soil, ground-up rocks and home-made oak gall ink for drawing, painting and printmaking. I have continued to use these beautiful pigments in my practice.